Abstract Art Workshops

---

Supplies for Watermedia w/Collage workshop

So you just signed up for the Moving and Shaking in Abstractio and Collage Workshop! We are going to have fun! I’ve listed so you will need below. If you have any questions at all, feel free t at 302-604-3042.

Suggested Materials List - Our emphasis will be bigger and i so larger brushes and lots of paint are helpful.
Do not feel obligated to purchase all of the paint and brushes o your budget allows. You will need all of the painting surfaces lis Paint: Liquid acrylics, acrylic inks +watercolor inks, watercolor crayons such as Crayon D’Arche, and oil pastels..

I use Golden Liquid Acrylics (most of the time), FW acrylic inks watercolor inks.
Bring one each of the following colors if possible:
Warm yellow – yellow ochre, Quinacridone Gold, Cadmium Yell Yellow

Cool yellow- Yellow Cadmium Yellow Light Warm red - Cadmium Red Medium Indian Red

,

s

b n u

e

n m

o n

p a

shop

stract workshop, you will use tings at a time to keep
es and vivid color. Paint over,

ge for visual impact. Learn r/canvas pre-coated with en mind, and lots of

daily handouts and demos.

With Water-media
e of the supplies that

o call me
tuitive painting style;

n this list . Get what ted, though.

encil, watercolor nd any kind of

ow Deep or Indian

b n u

a e

n m

n

o s

p a

l

Bring one each of the following colors if possible:

2 bristle Bring the brushes you will typically use with a selection

P p

x 6

Warm yellow – yellow ochre, Quinacridone Gold, Cadmium Yell Yellow
Cool yellow- Yellow Cadmium Yellow Light
Warm red - Cadmium Red Medium, Indian Red

Cool Red - Quinacridone Magenta or Alizarin Crimson Medium Blue - Cobalt Blue
Warm Blue- Ultramarine Blue
Cool Blue - Cerulean Blue

Browns-FW Antelope Brown (in the Acrylic ink) or Brown Madd White –Titanium only .We may be using lots of white paint.

Black - Ivory
Optional-sap green, violet and/or cadmium orange
Painting Surfaces
Bring :
3 sheets of 22”x30”Arches 140 lb or 300 lb watercolor paper, C watercolor paper, you will need a support board and clips or ta (brush or trowel on one side only, let dry, brush mark texture is smooth. Bring flat - do not roll up) We will work one 22x30 she with a coat of gesso applied, then cut into 10x10 squares (for e up), two 1⁄2 sheets + one full sheet size.
And -3 pre-gessoed stretched canvases 12x12”,16”x16” 12”x1 maximum if you want to work on canvases. I prefer the square contemporary abstracts work well with this format.
*note-It would be good to prepare your paper or canvas with a such as blue, ochre, or gray, so that you do not begin with a wh

Surfaces for loosening up - You will need several small painting or canvas) with minimum size of 10x10” and maximum of 12x1 Brushes
You will need at least a 2” and 3” brush. Brushes can be either

ow Deep or Indian

er

(cold-press). If using pe. Gesso the paper

okay; do not sand et watercolor paper

ercises and loosening

” up to 18x24 format, as the

thin wash of color ite canvas.

surfaces (either paper on the first day.

nylon or natural

l

d

P

s e

x 6

h 2

of 1

and 1 1/2

sizes

Surfaces for loosening up - You will need several small painting or canvas) with minimum size of 10x10” and maximum of 12x1 Brushes
You will need at least a 2” and 3” brush. Brushes can be either bristle. Bring the brushes you will typically use, with a selection And #8 or #10 pointed round brush. NO FOAM BRUSHES pleas Supplies -Wear old clothes.

• Old credit card or hotel room card
• 5 ounces or more of acrylic matte medium
• Cell phones (turn ringer to mute), please.
• Old toothbrush
• Old synthetic brushes (all sizes, flat and round) to paint with ac
  Palette knife –
• Water spray bottle -large
• 2 large unbreakable water containers such as a low, half gallon
  10x10 inch plastic container. (They don’t fall over)
• Small container of white gesso
• Palette -large, disposable, or use plastic coated freezer paper ,
  container or paper plates. You can also use roll of wax paper a
• Paper towels
• Homosote, plexi-glass or gator board of your choice to tape yo
  paper to that you will be pre-coat with gesso prior to workshop
• Artists Tape or masking tape – Please don’t bring blue or green cream color as the tape color may effect your sense of color an
• A few small sheets of Wax paper,
• Roll of Saran wrap.
• Materials for note taking or a sketchbook
• For cleaning brushes: old soap bar
• Scissors,
• Soft brayer any size (4” preferred)

2 e

r

a n

u d

surfaces (either paper on the first day.

nylon or natural
of 1” and 1-1/2” sizes.

.

ylics.
plastic bucket or a low

plastic butcher’s d some tape.

r 10”x10” sheets of *.
tape – only white or

d value.

2 e

r

a n

u p

• Roll of Saran wrap

e u

n

m o

• Materials for note taking or a sketchbook
• For cleaning brushes: old soap bar
• Scissors,
• Soft brayer any size (4” preferred)
• Drawing pencil,
• White plastic eraser,
• Straight edged ruler,
  Collage work- bring your favorite collage papers. You might lik such as unryu (white or taupe), kinwashi, ogura lace 21x30 Nat textured oriental papers. Bring scraps of old paintings and fou White wrapping tissue paper.
  Old tea bags with tea removed.
  Optional: If you have any of these items, feel free to bring the go out and purchase them, but they’ll make your experience m charcoal, pastels, and white wax crayon.
  hair Combs -, baby comb, rat-tail - the more different ones you textures you can make.
  Texturing tools to make marks if you wish. Rubber Stamps
  Stencils
  Tacky Carpet Mesh
  Chalk Pastels (a few colors) Eileen Olson 302-604-3042 Cell

to try oriental papers

ral ( $4.25)or other d papers.

. You don’t have to ore fun.

can find, the more

Program Description:

Art League Of Ocean City

Cost: $220 Members, $275 Non-Members
Coming Spring 2020  Time TBD
This workshop will expose the student to a new technique and learn the basics of abstraction. Learn about this ancient medium called cold wax and discover its versatility. This workshop is offering you two courses in one, learning a new medium and painting abstract to add to your artistic repertoire.
Note: Cold wax is not the same as encaustics, where heat is necessary to melt the wax creating harmful fumes. This class is appropriate for beginner through advanced levels.
During the workshop you will use instinct, passion and intuition as your guide. Free yourself by working on several paintings at a time to keep yourself moving. Learn how to use this medium along with good composition, strong values and vivid color. Paint over, layer and scrape, to create visual texture, depth, energy and emotion. By manipulating the cold wax, it will allow you and your art to reveal itself.
Students will create their own small cold wax and oil pieces on Arches Oil paper. Bring your own supplies and the usual painting gear, an open mind, and lots of enthusiasm. There will be plenty of emphasis on creative thinking. Eileen will provide some handouts and do demos. Please bring your lunch.